Q&A - What is in the Heart archives video-wise? Was there ever talk of having Ann Wilson, or even the sisters do a solo album back in the late 1970s?

1.) What is in the Heart archives video-wise? Is all the pro-shot footage already out there on YouTube (i.e. The Second Ending, 4 songs from Cal Jam 2,various TV appearances, the Little Queen promo film, the Dog and Butterfly promo film and lastly the Dog and Butterfly show from the Capital Theater)? 

Was Texxas Jam filmed? How about the rest of the California Jam set? Are there any complete Little Queen tour shows out there?

2.) Mike Derosier did a recent Modern Drummer interview and he talked about the 40th anniversary of “Dog and Butterfly” – which of course is this year. He wasn’t completely thrilled with “Straight On” saying:

“I think we did a good, legitimate take on [dance/disco music],” the drummer says. “I do like that stuff, and [singer] Ann Wilson really liked that music. But at the same time I always felt a little cheesy and that we were jumping on a bandwagon. You have a certain amount of success, and you want to maintain that or expand on that, so you find yourself sometimes getting sucked into trends or fads. It was sort of like we were allowing ourselves to be drawn into that, instead of following our own path. You end up finding yourself being a follower. And that’s part of the reason I got sick of the band after a while. I never felt like we were progressing and trusting our chemistry as much as we should have.”

What’s your take on this? I hear glimpses of greatness throughout the early years of Heart. Yet the Wilson Sisters have always maintained that when they first heard the Beatles, they wanted to become them. At the same time they remain fans and didn’t often push the musical envelope in the same way that the Beatles, Joni Mitchell or Led Zeppelin did. “Mistral Wind” to me was a good indicator of how dynamic Heart could have become. Even “The Situation” after you left, to me showed some promise artistically, though it didn’t do well as a single.

3.) Was there ever talk of having Ann Wilson, or even the sisters do a solo album back in the late 1970s? That way Heart could have maintained their harder rock direction and the sisters could have gotten as esoteric as they wanted to. Annie Haslam of Renaissance did a fantastic solo LP in the late 1970s where she tackled jazz standards and all kinds of cool stuff (“Annie in Wonderland”.) It’s an amazing record.

Thanks in advance for your answers!

JG

RF: John, your questions and comments show insight… thanks.

1.)  The Heart video archives we have contain a LOT of footage no-one has seen. We’ll be using much of it as projected background for our live performances later this year. We’ll be announcing the new band and gigs soon. Nearest thing I’m aware of to early Heart… we have a great band!

Seems to me Texxas Jam was filmed, wish we had the footage!

2.)  That was part of the reason for me needing to leave the band, I always leaned toward innovative, not necessarily commercially-safe territory. 

To me, Drosh is correct in voicing the tendency for people to try to do “what works” for the sake of sales and popularity, which is, of course, contrary to pure art - that is, unless you define pure art as inclusive of the marketing machine.

3.)  Mike Fisher might be able to provide more insight into that reply… Mike?

Q&A - Hearing EVH for the first time

What was your reaction the very first time you heard Eddie Van Halen? I can still remember exactly where I was / what I was doing when I heard EVH for the first time. -Dana J.

RF: Great question.

I too remember clearly where we were: on the tour bus with Heart. Bro Mike had been telling us about this amazing new guitar player from LA. Then he played a (I think) cassette. Oh my god, we were all blown away! I knew we were hearing a star about to be born.

Not long after, they came to see us at the Cotton Bowl in Dallas. We met and let them know how much we appreciated the band. They asked if they could come up and hang on stage left during our set. We said, “Sure, go ahead and get up there.” When our road manager saw what was going on, he wanted them off the stage. We told him we wouldn’t play unless they were there. They stayed and watched and Eddie and I became pretty good friends for a little while, exchanging gifts back and forth, hanging out together when they played Seattle. After awhile we didn’t stay in touch anymore.

Eddie was a pioneer and conquered greatness. Hats off to a hard working Dutch boy :-)

Q&A - How did Alias form?

Whose idea was it to form Alias and is there any chance of a reunion? -Chris C.

RF: Thanks for asking,  Chris.

Alias was the brainchild of Art Ford, Freddy Curci, and Steve DeMarchi, to the best of my knowledge.

There is zero chance of a reunion because Steve Fossen, Mike Derosier and I didn’t play on the album. Personally, I’m too busy to dilute my time and energy with an involvement in that camp.

Q&A - When do think the original line-up of Heart peaked on the road? Which bands do you have the fondest memories of playing with...?

I appreciate your accessibility to the fans for all these years. It's nice to see. Some musicians relish the chance to engage their fans and others seem to sequester themselves away. I can understand both approaches.

Some questions here for you:

When do think the original line-up of Heart peaked on the road? The best live show I've heard was probably spring of 1978, the California Jam 2 show. Was there a particular tour, gig or run of shows that stood out to you? -John G.

RF: Thanks for your questions, John. I think all the members of the band would agree that Cal Jam 2 was not our best show, just our biggest. There were many, many moments on the road that launched into a dimension that was other-worldly - transcendent. To name one city would be unfair to other locations, as, for instance, in Columbus, Ohio, we baked under hot lights too close to the stage. We were all dripping with sweat. The humidity in the over-packed room was so thick you could feel electricity running through the air. WE F*CKING ROCKED!

And in New Orleans, not long after they’d pulled the plug on us at Mile High Stadium, the Marshall Tucker Band had to try to follow us at an outdoor event. We rocked so damn hard there was no way anyone could follow us that day. By the time Marshall Tucker went on, the security fence in front of the bandstand had been demolished. The dominance was undeniable.

But my first instinct was to reply, “Heart’s peak happened in the year 2020, when Steve Fossen, Mike Derosier, Howard Leese, Ann and Nancy Wilson joined forces with Michael and Roger Fisher to put on one of the most incredible, energy-charged performances in rock history.

Heart spent some time opening shows and then time as a headliner. Which bands do you have the fondest memories of playing with (either opening or headlining) and which ones not so much? 

RF: Eagles were definitely one of the best bands we ever played with… Rush, still friends to this day, Van Halen, Eddie and I used to hang out once in a while, Little River Band (the nicest guys), Queen, they would stop in and visit every time in Seattle, for several years. Really, it’s kind of difficult to say. Most musicians are cool and we all appreciate the trenches we serve time in.

Ridin' down the highway
Goin' to a show
Stop in all the by-ways
Playin' rock 'n' roll
Gettin' robbed
Gettin' stoned
Gettin' beat up
Broken boned
Gettin' had
Gettin' took
I tell you folks
It's harder than it looks
It's a long way to the top
If you wanna rock 'n' roll

A lot has been made of the recent break-up of Heart. In the internet interview you posted a link to, you chose not to comment on the current spat. I don't blame you - it is a sad story and there's really nothing anyone can say about it. We weren't there and it's really nobody's business except theirs.

What I would like to ask you (since you have a brother and I have a brother, and I have found I can rarely go three days hanging out with my brother without us pushing each other's buttons) is to elaborate on what it was like being in a band with two siblings. You look as Oasis, the Kinks, the Everly Brothers and others and it's not often that two siblings can exist for so long together as friends when dealing with the ups and downs of the music business. Your take on it?

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RF: I think it boils down to intelligent choices. We all have the power, every second of every day to choose whatever emotion, sentiment we like. When people choose division, we all suffer, as we are each a microcosm of the whole. That’s why when someone asks, “I’m just one person…what can I do to help the world?” Well the answer is simply, “CHOOSE HARMONY!”

My brother Mike and I were around 13 and 15-years-old respectively, when  we realized that someone was going to die soon if we didn’t make some kind of peace agreement. So we made a pact that has held through to this day. We invented a new letter. It is a combined d and b… db. Any word that uses this letter is a word filled with humility, compassion, grace and love. Our names for each other in that pact became, “dbash.” That is the name of our company, dbash Productions, LLC.

Isn’t it all about personal evolution, and what we bring to our fellow humans, all members of the Human Tribe?

Thanks and continue the great posts and music!

-John G.